In that time, my buddy managed to work out a deal with the owners of the beeper shop that if I paid for the window right away, they wouldn't press charges. So I kept making them take me to the bathroom, which was delaying my fingerprinting process. They took me to the station and all I wanted to do was piss. The cop's laughing but trying to keep me from doing it. So they cuff me and sit me in front of the Viper Room and all these Hollywood people are coming up and laughing at me. I am fucking 200 pounds and I don't give a shit about anything. I've got black makeup running down my face. And I just wandered over and put my hands on the fucking hood. I turned around and a cop was sitting at the stoplight. And we see a big beeper-shop window, and my friend goes, "Man, I bet you could put your foot right through that." So I said, "Yeah?" Crash! Kicked it wide open. We get to the corner of Sunset and Larrabee, right across the street from the Viper Room. We left and I was running down the street with my friend. They were on the verge of banning me, and I had no idea I was so fucking out of it. One night, I was throwing shot glasses at people all night at the Rainbow. But once you get to a certain point, it's fuckin' so hard going through withdrawal. And then finally, all that had to stop or I knew I was gonna die. I'd be like, Fuck, what are we gonna do now? Those problems always worked themselves out, but I'd dig myself in deeper holes. I'm out," and that would fuckin' freak me out. I'd hear someone say, "Fuck it, I'm quitting. I was like, What would I do? This has been the best thing that ever happened to me. And I kind of felt like, Oh, fuck, my family is moving away from each other. I wasn't mad at anybody, but everyone else was. I was severely depressed because, after Iowa, we were sick of each other and there was so much hate going around. I'd try to play and I'd fall out of my chair a couple times and fall asleep in the middle of tracking a fucking song. PAUL GRAY I wrote a bunch of stuff-like I do every record-but I would spend half the time in the bathroom doing drugs. I started playing piano and that was a good release for me-getting rid of the depression through the keys. Then I'd pass out for a day and continue the cycle until I realized a year later that there's a lot worse things than being on the pity pot. SID WILSON Like some of the other guys, I went through some relationship problems and started drinking and smoking reefer really heavily, nonstop all day to deal with the depression. I just wanted to feel something other than terrible. I was cheating on my girl at the time-didn't give a shit. Instead of figuring out why I was upset, I just drowned in it. I would keep a bottle of Jack next to my fucking bed every day. You were gonna cater to my ego and tell me everything was great. I would drink all day and then go to the bar at night. It took us three fuckin' months before everyone came together.ĬOREY TAYLOR For the most part, I pushed everybody away. Then I wake up at 3 o'clock the next day and say, "Right, let's jam," and no one wants to. " And Shawn says, "No, I'm working on something else." I'm like, "What the fuck?! We're not fuckin' jamming?" So I go get a bottle of Jack Daniel's and drink myself into oblivion. I walk in and Corey says, "No, I'm going to the Rainbow. I flew down to Los Angeles and arrived expecting to practice. Repeat., because the band now considers it more of a demo, and because the songs thereon were mostly recycled into material on their other studio releases.JOEY JORDISON Me and Paul demoed a bunch of songs. The only caveat is that we left off 1996’s Mate. Below, we’ve ranked every single Slipknot track from worst to best, right down to the between-song interludes. Since today marks the anniversary of the band releasing their career-changing sophomore album Iowa, we decided to go all-in and do a list as massive as Slipknot itself. Plenty of bands come and go - even bands with masks and gimmicks - but these nine dues from Des Moines, Iowa, have remained relevant, interesting, and huge since they were first unleashed from America’s heartland in the late ’90s. But it’s undeniable that their mixture of theatricality, dysfunction, and loud-as-fuck extreme music has changed metal’s sound, ethos, and public image in more ways than any other artist in the genre over the last 20 years. Sure, they may not technically be the biggest, or loudest, or the most brutal. Let’s be real: Slipknot are probably the most important metal band of the past two decades.
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